Sign of the Apocalypse #29 at The Reaction.
This is Britney. Britney Spears. On a bearskin rug. Giving birth to Baby Federline. As sculpted by Daniel Edwards. According to the Post, this piece of “art” will soon be on display at Brooklyn’s Capla Kesting Fine Art gallery. Next to “anti-abortion materials” as part of an exhibit called “Monument to Pro-Life: The Birth of Sean Preston”. Yes, that’s right. This piece of “art” comes with a pro-life message, allegedly a non-political one. Birth = life. Or so says Mr. Edwards. But it obviously is political. Abortion is political. And what we have here is the image — dare I say it, a quasi-pornographic image — of Britney giving birth within the context of a pro-life, anti-abortion protest. Dress it up all you want. That’s what it is.
Make of it what you will. There is something profoundly beautiful about the human form. And about a woman giving birth. Yet this piece of “art” seems rather tasteless, rather kitschy. And using it to express a political message makes it all the more ugly. Is it a Sign of the Apocalypse? Put all the elements together — a pop star on the decline, a culture of trash, humorously vulgar “art” (why the bearskin?), and a contrived political message — and I’m sure that it is.
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