Guest Voice: The Art of Political Cinema (Part One)

May 12th, 2008
By JOE GANDELMAN, Editor-In-Chief


vantage_point1.gif

In this special Guest Voice post, Michael Teodoro G. Ting Jr., a freelance writer and graduate student based in the Philippines, takes a comprehensive look at The Art of Political Cinema worldwide. Due to the length of this exceptional piece, we are running it in several parts.

The Art of Political Cinema

By Michael Teodoro G. Ting Jr.

Memory is anything that can link the mind to a past drama and perform it again to the music and script of a new milieu. – Cirilo F. Bautista, literary critic

Politics is evolving every single day.

In the United States, presidential candidates debate on the economy, healthcare, immigration, national security, and foreign policy. In Latin America, Bishop Fernando Lugo becomes president of Paraguay, ending 61-year rule of the Colorado party. Cuban President Fidel Castro resigns after a 49-year rule while Venezuelan President Hugo Chavez and Argentine President Cristina Kirchner jointly criticize the United States for imperialistic policies.

In Russia, President Vladimir Putin’s anointed successor won in the March elections. In the Balkan region, Serbia has elected a new president while Kosovo declared its independence. The European Union works for a European integration while debating over Kosovo’s secession from Serbia. In Africa, Zimbabwe held violent elections, Kenya and Sudan experienced tribal wars while Tanzania, Rwanda, and South Africa received huge foreign aid. In the Middle East, Afghanistan and Iraq undergo difficult political transitions.

Meanwhile, the Association of Southeast Asian Nations creates the first Human Rights Mechanism in Asia and continues to demand the release of activist Aung San Suu Kyi from house arrest by the Myanmar military. In Pakistan, President Pervez Musharaff’s ruling party concedes defeat in the parliamentary elections following the assassination of former Prime Minister Benazir Bhutto.

In the Philippines, President Gloria Arroyo draws public outrage for gross anomalies in her administration. In China, organizers prepare for the 2008 Summer Olympic Games. In the global scale, the United Nations makes several reforms under Ban Ki-moon, the first Asian Secretary-General.

This is raw politics like we see in documentaries and political thrillers. This is reality that inspires our filmmakers and television writers. Life influences art. And art imitates life.

Politics in film and television

Political film and television draw heavily from actual world events, political history, and social conditions. The characters and storyline come from a variety of sources, including the daily news, history books, biographies, and novels. Political drama spans every film and television portrayal of current events, social conditions, and political history. Beyond the luster of entertainment, political dramas seek to educate, agitate, and raise the level of public awareness on a particular issue.

Just like any literary work, the genre may include works of fiction, non-fiction, fiction based on a true story, fiction inspired by true events, or fiction within a factual background. Thus, the art form may range from documentaries, feature films, television series, and even animated and experimental motion pictures.

Documentary films

Documentary films present real stories in a creative journalistic format, with real characters and real problems set in a real environment.

Michael Moore’s Fahrenheit 9/11 (2003) is easily the most popular and highest grossing documentary film of all time, earning US$200 million worldwide and reaping the Palme d’Or, the highest honor at the Cannes Film Festival. The film examines the United States after the September 11, 2001 attacks, particularly the record of the Bush administration and alleged links between the families of George W. Bush and Osama bin Laden.

The film assails the American media as not providing accurate and objective analysis of the 2003 invasion of Iraq and the resulting casualties. The title alludes to the classic book Fahrenheit 451 about a future totalitarian state where books are banned and paper begins to burn at 451 degrees Fahrenheit, the temperature at which freedom burns.

Another successful documentary is An Inconvenient Truth (2006) starring former U.S. Vice President Al Gore. The film is an actual slide show with Gore reviewing the scientific opinion on climate change and discussing the politics and economics of global warming. As the documentary ends, Gore argues that releasing less carbon dioxide and planting more vegetation to consume existing carbon dioxide can reverse the effects of global warming. The film won the Academy Award for Best Documentary Feature, the Humanitas Prize, and other film awards. For his work, Gore reaped the Nobel Peace Prize and the Prince of Asturias Prize for international cooperation.

Other notable political documentaries include Imelda (2003), a sardonic account of the rise, fall, and comeback of notorious former Philippine First Lady Imelda Marcos; The War Room (1993) which details the 1992 presidential campaign of Bill Clinton; Journeys with George (2000) which narrates George W. Bush’s victory in the elections in 2000; Osama (2003) wherein a girl poses as a boy named Osama to expose the cruelty of the Taliban, the first film shot entirely in Afghanistan since 1996 when the Taliban regime banned the creation of all films; Voices of Iraq (2004), a documentary about Iraq that is created by distributing cameras to the subjects to film themselves; Beyond Belief (2007), a documentary about two women who, upon losing their husbands on September 11, 2001, begun to set up humanitarian programs for war widows in Afghanistan; and The World Without US (2008), a documentary exploring what might happen to the world if the United States removed itself from foreign affairs and become an isolationist nation, detailing interviews with experts and different citizens to understand how the United States is viewed, and how the United States has affected the world outside its borders.

Feature films

Political films carved out a niche in the mainstream film industry.

In Lions for Lambs (2007), a cinematic attack is made on the U.S. government’s prosecution of the wars in the Middle East, alluding to incompetent leaders that send brave soldiers into the slaughter of battle. The main characters include a platoon of American soldiers in Afghanistan, an American senator aiming for positive media coverage, a veteran reporter, an idealist college professor, and three college students.

Meanwhile, The Kite Runner (2007) tells the story of an Afghan boy from Kabul who is haunted by the guilt of betraying his childhood friend, surrounded by tumultuous events, from the fall of the monarchy in Afghanistan to the Soviet invasion, the mass exodus of refugees to Pakistan and the United States, and the Taliban regime. Another film, The Terrorist (1998), portrays a period in the life of an Indian woman sent to assassinate a leader in South Asia through a suicide bombing, an allusion to Rajiv Gandhi’s assassination in 1991 allegedly by the Liberation Tigers of Tamil.

In Y tu mama tambien (2001), two teenage Mexican boys taking a road trip with a woman in her late twenties, set against the backdrop of the political and economic realities of Mexico, specifically during the end of the uninterrupted 70-year line of presidents from the Institutional Revolutionary Party, and the rise of the opposition leader Vicente Fox.

In Vantage Point (2008), the American president is shot upon arrival at a summit on the global war on terror, ensuing much confusion and chaos. Through the differing views of 18 individuals regarding the same 15 minutes prior to and immediately after the shooting, the movie reveals the truth behind the assassination attempt. Similarly, Air Force One (1997) is a political action film where Soviet nationalists infiltrated the U.S. presidential plane and hijacked the American president to force the U.S. government to release a captured tyrannical leader of Kazakhstan.

The Manchurian Candidate (2004) tells the story of a military veteran who discovers that a famous rescue of soldiers by a vice-presidential candidate was just fabricated by a powerful corporation to further his political campaign and advance their self-interests. Another political film, The Contender (2000), tells the dilemma of a female vice-presidential nominee accused of sexual immorality during her college years.

Enemy of the State (1998) is a political thriller film about a group of rogue agents of the National Security Agency who murdered a congressman, and covered up the murder by destroying evidence and intimidating witnesses. The movie deals with issues that were debated during the passage of the USA Patriot Act, an act passed after the 2001 terrorist attacks in the World Trade Center.

Futuristic and science fiction

Films set in the future often integrate science fiction and politics in a dystopian world.

These films include 1984 (1984), a British film based upon George Orwell’s novel which follows the life of Winston Smith in Oceania, a country run by a totalitarian government; V for Vendetta (2006), an action thriller adapted from a graphic novel set in London in a future dystopian society where the mysterious freedom fighter named V seeks sociopolitical change while pursuing his own violent personal vendetta; Equilibrium (2002), an action thriller set in the future dystopian city-state of Libria in which world leaders build a conflict-free society by banning all materials which can stimulate strong emotions such as art, music, and literature, and injecting all citizens with a liquid drug called Prozium collected at distribution centers known as Equilibrium; Children of Men (2006), a futuristic film set in the United Kingdom of 2027 wherein two decades of human infertility have left the human race with less than a century to survive; I Am Legend (2007), a science fiction horror film where a virologist who may be the only surviving non-infected human works to create a cure while living in a city inhabited by mutant victims of the airborn virus; The Island (2005), a film set in 2019 where human clones where brainwashed to believe that they are ordinary humans living in an enclosed utopian community after being rescued from the toxic environment which contaminated most of the outside world; I, Robot (2004), a science fiction film set in Chicago in 2035 where humanoid robots are common and a homicide detective investigates a sapient humanoid robot charged for the murder of its creator in violation of the Three Laws of Robotics; Artificial Intelligence: A.I. (2001), a science fiction film set in the future where an android child with artificial intelligence and an ability to love was sent to a married couple whose son is dying of a rare illness; and Independence Day (1996), a film about the U.S. government’s military and scientific efforts to thwart an attempted alien invasion of Earth.

Films with environmental themes have also been set in political situations.

The Day after Tomorrow (2004) depicts the catastrophic effects of global warming when politicians refused to heed the warnings of a noted paleoclimatogist. Another interesting film, Deep Impact (1998) is a science fiction disaster film about a fictional comet large enough to destroy civilization about to collide with the planet. The U.S. president sends astronauts on the spaceship Messiah to destroy the comet using nuclear weapons. To prevent opportunism in this crisis, all wages and prices are frozen. When attempts failed to destroy the comet, the president announces that special underground shelters will accommodate 200,000 pre-selected scientists, engineers, teachers, artists, soldiers and officials, and 800,000 lottery-selected ordinary citizens. These people will save mankind from extinction. Martial law is declared as selected citizens are notified.


To be continued tomorrow…

Photo is from The Vantage Point

Michael Teodoro G. Ting Jr. is a freelance writer and graduate student based in the Philippines. He is a member of Political Film Society based in California, Socio-Legal Studies Association based in England, and International Studies Association based in Arizona. He enjoys computer games, baking, bonding with cats, and breeding tropical fish.




This entry was posted on Monday, May 12th, 2008 at 3:00 am and is filed under War, Guest Contributor, Society, Politics, Movies, Entertainment. You can leave a response, or trackback from your own site.

Trackbacks

close Reblog this comment
blog comments powered by Disqus

UPDATED: The Superdelegate Shift »

By posting comments on The Moderate Voice you are acknowledging and agreeing to the following general comments policy:

(1) The Moderate Voice's comments are hosted by Disqus (http://disqus.com). If your comment doesn't appear immediately, please be patient since it is an off-site system.

(2) All e-mail received from readers by The Moderate Voice is considered intended for publication unless otherwise indicated in the initial message from the writer. Please do not send us attachments unless you contact us and we agree to it.

(3)The Moderate Voice reserves the right to edit all e-mail and posted comments for content, clarity, and length.

(4) Our comment space is reserved for comments that relate to a post's topic. You should not reprint lengthy text from your own works or those of others, including news articles. You MAY link to them.

(5) Comments that are abusive, offensive, contain profane or racist material or violate the terms of service for this blog's host provider will be removed and the author(s) banned from future comments. Such comments also violate the very SPIRIT of this site -- which was created to encourage thoughtful and vigorous discussion among readers who may share differing viewpoints.

(6) All points of view are welcome on The Moderate Voice, with the following exceptions:

(a) Comments posted several times a day with the intent of dominating, re-directing or hijacking the thread by turning a discussion into the equivalent of a bitter shouting match.

(b) Comments posted several times a day that insult or call other commenters or blog writers names or repeatedly make the same point with the effect of or clear intent to annoy other commenters or blog writers.

(7) Name-calling, personal attacks, racist comments or use of profanity by any commenter, whether they are by persons who agree or disagree with the views expressed by The Moderate Voice will NOT be tolerated and will result in the deletion of the comment and the banning of the commenter's ISP address, without notice. In some cases a comment may be deleted and the writer will be given another chance. Commenters who virtually ASK The Moderate Voice to ban them by ignoring any warnings or daring TMV to ban them will quickly get their wish.

(8) Anonymous commenters should identify themselves with the same moniker, so readers know their comments are coming from a single individual. If they don't, they are subject to a banning.

(9)If we have problems with inappropriate or inflammatory comments from a commenter who it turns out gave a fake email address that person is subject to immediate banning.

(10) Quotes from material appearing on The Moderate Voice with attribution are allowed. Reprints are allowed only by permission from The Moderate Voice. You may request permission by e-mail.

(11) The Moderate Voice is a personal site. It is not the Government. It is NOT aligned with any political party. It is NOT promoting any specific candidate for office. It is not a public institution or a media organization. It is not a neutral site. It is intended to express and disseminate the authors' varying points of views. Writers on this weblog WILL take positions. It reserves the right to limit comments to those that, in its view, comport with its stated comment policy. Comments that do not comply are subject to deletion and banning of the author's ISP.

Disclaimer:

--Reading and posting comments at The Moderate Voice constitutes acknowledgment of and agreement to the terms outlined in this comment policy. This comment policy may be revised in part or in full at any time.

--All comments must comport with applicable state and federal laws. The Moderate Voice has no obigation to monitor, edit, censor, or take responsibility for comments. It may or may not act upon a violation of its comment policy once a suspected violation has been brought to its attention. Therefore, commenters are solely responsible for the content of their comments and should ensure that that their comments are lawful and fall within the stated guidelines of both The Moderate Voice and its hosting company.

--The Moderate Voice is not be responsible for injury or liability to any reader or commenter resulting from its own communications or those of commenters, that may be offensive, misleading, inaccurate, illegal, or otherwise unsuitable in the view of the reader. Readers and commenters further agree to indemnify and hold harmless The Moderate Voice from claims resulting from the use of any material appearing on The Moderate Voice which damages the reader, commenter or any other party.

--The Moderate Voice is not responsible for and might disagree with material posted in the comments section. While we strive for accuracy in our posts and DO correct errors, material posted by The Moderate Voice in its posts -- or those left by others in the comments section -- may or may not be accurate.

Read and Post at your own risk.