Now my world is shattered. I don’t know what to believe anymore. I’m a total cynic.
First, someone claimed there was no Santa Claus. Then they told me the truth about the East Bunny. And that Dennis Kucinich and Alan Keyes were actually cartoon characters based on people living on Mars.
But now THIS????
Heroic fights to the death between enslaved gladiators never happened, according to a controversial new theory.
QUICK: SOMEONE TELL RUSSELL CROWE…
The research, which disputes images of ancient combat such as those seen in the Russell Crowe epic Gladiator, suggests that the fighters of yore would have far more in common with the overblown histrionics of modern-day premier league footballers or WWE wrestlers: highly trained, overpaid and pampered professionals with throngs of groupies – and an interest in not getting too badly injured.
Research into medieval and renaissance combat manuals has led one classical scholar to suggest that gladiatorial fighting had become more of a martial art at the beginning of the first millennium, a report in New Scientist reveals.
To thrill the crowds around the arena the combatants would "display" broad fighting skills rather than battle for their lives, according to Professor Steve Tuck of the University of Miami.
"Gladiatorial combat is seen as being related to killing and shedding of blood, but I think that what we are seeing is an entertaining martial art that was spectator-oriented," he said.
In other words: they were’t really killed?! There has to be a class action suit in here somewhere for descendants of Romans, so they can demand their money back. Joe Pesci: Your ancestors were cheated. More:
From the manuals and art, Prof Tuck concludes there were often three critical moments in such fights. The first was initial contact, with both opponents fully armed and moving forward while going for body shots. The second was when one gladiator was wounded and sought to distance himself from his opponent. In the third, both gladiators dropped their shields, seemingly undamaged, before grappling with each other.
In the books, this very act of throwing down shields and weapons to grapple was a common way to conclude a fight, without necessarily intending to finish off an opponent. Prof Tuck concludes from the Roman art he has examined that the same happened during gladiatorial bouts. In addition, the fighters were often patronised in the form of large sums of money from members of the very highest echelons of Roman society.
Prof Tuck said: "The emperor Marcus Aurelius put salary caps on gladiators, and to get to this state of affairs they must have represented a massive capital outlay for their owners.
"Now, it makes no sense at all for the gladiators, at such cost, to be killed in battle, because it would be like throwing money away. The gladiators were meant to be recognised, similar to the famous sportspeople of today, and they had great status comparable to the highest levels of professional athletes.
"By that fact alone they are not disposable, and their owners would not expect to lose their investment every time somebody stepped out into the arena.
"Famous gladiators seemed to have fought very rarely, perhaps two or three times a year, much like professional boxers do today. The aim was not to kill the opponent but, as the Roman poet Martial says, to ‘win without wounding’."
So this is all bulleria right? NO:
Bryn Walters, the director of the British Association for Roman Archaeology, agreed with Prof Tuck.
He said: "Gladiators were entertainers, sports stars, and they were the privately owned, pampered Beckhams of their day. They did not go into the arena to die, because they cost far too much for that to happen on anything like a regular basis. Senators, wealthy businessmen and emperors were hardly going to have their best sporting stars butchered in the arena to appease the masses.
"The only people that died were those that were sent into the arena to be executed, and they were prisoners, convicts, criminals and those captured from wars and skirmishes."
The next thing you know, they’ll be telling me Michael Jackson’s nose isn’t real.
Joe Gandelman is a former fulltime journalist who freelanced in India, Spain, Bangladesh and Cypress writing for publications such as the Christian Science Monitor and Newsweek. He also did radio reports from Madrid for NPR’s All Things Considered. He has worked on two U.S. newspapers and quit the news biz in 1990 to go into entertainment. He also has written for The Week and several online publications, did a column for Cagle Cartoons Syndicate and has appeared on CNN.