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Bringing Back a Black-and-White World

A London gallery next week will show pictures of Johnny Cash, an American legend, some of them unseen for almost half a century. Taken by my friend Marvin Koner, they show, not the familiar man in black with a life-scarred face, but a smooth-skinned 27-year-old at the brink of a career that would sear his voice and music into America’s memory.

Koner was one of the young men who came back from World War II to pioneer an era of available-light photography that transformed pictures in magazines from frozen images with studio lighting to exciting depictions of life in motion, just as movies were moving from Hollywood sound stages to the grainy reality of Italian Neorealism and the French Nouvelle Vague.

In their work, the 1950s and 1960s still live. A slide show on Koner’s website brings back Martin Luther King, JFK, Robert Kennedy, Richard Nixon, Elizabeth Taylor and unremembered people of the era through the eyes of a man with a 35mm camera and an artist’s sensibility,

The pictures of Johnny Cash, discovered in a closet after more than 40 years, are part of that lost-and-found-again world that a new generation can rediscover now and marvel at how young and alive historical figures once were.

Cross-posted from my blog.

  • Silhouette
    Why is there such a focus on returning to the eras that had the most racial tensions? Lately that's all you see on TV. It's as if someone is mad that people are getting along and prejudice is being buried....

    Weird.. Who would want to revive old wounds and why? What "profit" could there be in fanning the flames of an almost-dead fire?

    Why revist that era? Why now?

    Even here on this website we hear the constant pounding drum of "Civil Rights Roundup". And now this more daring nudge to revisit old devisiveness.

    So much focus on differences and skin color. So little focus on common goals. So little focus on what really makes people who they are...I'm beginning to wonder if this stalwart focus on apartheid isn't purposeful? And if so, what is it's purpose?
  • elrod
    Give it a rest, Silhouette.

    These pictures are amazing. I was just in Memphis a month ago and the old Sun Studios stands out like a monument. I didn't get a chance to see the Stax Records museum, however. The two of those studios produced the greatest music of the 20th century. Nothing makes me prouder to live in Tennessee than the music. We've got bluegrass and Americana/alt.country here in East Tennessee, country and gospel in Nashville, and blues, rock and roll and soul in Memphis.
  • Mike_P
    Available light B&W photography is fast becoming a lost art, it seems. What with Photoshop and digital cameras, "push processing," and wet lines are fading artifacts of a bygone era.
  • DLS
    I've disagreed with Mr. Stein in the past but he brought us a good subject this time.

    Yes, Mike P, available-light B&W is a lost art. I do have a 35 mm SLR with a nice faster-than-f2.0 standard-focal-length lens I do plan to bring to my favorite St. Louis restaurant and wine bar that has live entertainment, some day.

    www.vothphoto.com/spotlight/articles/forgotten_...
  • runasim
    I really appreciated B&W art photography, as it is different from just photos in B&W. That medium had a special quality that can't be replicated with color.

    Ingmar Berman's movies provided their most dramatic and impressive moments precisely because they were shot in B&W. I can't imagine Diane Arbus producing the same quality of work if she had used color photography.

    Sometimes less (in this case, color) really is more.
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