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Associated Press, Please Dont Fall on Your Sword and Hurt Yourself The Way the NYT Did

It has dawned slowly on big publishing companies like HarperCollins, Bertelsmann (which owns BMG and bought into Napster with 80M,) Penguin, and other of the few conglomerates that run big publishing nowadays that the internet and the flow of info is not a threat, but a huge opportunity. It has come so slowly to their awareness that the buggy whip business model is over, the the age of the combusion engine is past too. That there is an open ore field right within their reach; the internet, those who ply its rivers, those who take from and live from the bounty of the river.

My books are published by Bertelsmann and Harper and I’ve had up close sight of so many layers of big publishing for the last 15 years, including my wanting to send a final manuscript by email in 1990 to pre-Bertelsmann Random House, and them being unable to receive the chapters… They had no email connection, and no publishing head had ever given nor required any of their editors to have a computer, let alone computer skills.

For years, as Napster and iTunes and Bezos built the equivalent of Godzilla’s internet palisades and promonitories, the big publishers, including the NYT whose editor in those times was a friend– big media management did not see the handwriting on the wall that’d been there for at least ten long years– that this was now the computer age, not the IBM Selectric age. That 1000 pages could fly through the air in minutes, instead of being carried by hand and truck and airplane over 1-5 days’ time.

Neither did they rouse to realize even though the air was thick with it… that opinions from ‘outside the castle’, questions, challenges, rumor, information, news, music, and even proprietary information, all, could be dispersed across the world in seconds, blasting right through the gatekeepers’ bastions worldwide. They didn’t get it. They just didn’t. Think of a battleship being told to turn on a dime. Not possible. Now think of bullet boats turning on a dime. Simplistic analogy, but close to what the problem was… including, I hate to say it, lack of being curious, lack of being ‘young’ observing, lack of having point men and women in the know, lack of vivid imagination in this area. And those comprised a sector to public stock have more and more reflected this lack.

So, the NYT experiencing a gross waning of their revenues from ad loss to the internet, thought it smart to convene Times Select. They appeared to be concerned people were reading the NYT online content, but not subscribing to the print edition, and therefor they’d make up that loss by charging money for anyone to read, let alone download or quote from their online articles.

I subscribed because I love the NYT, many of its writers class investigators and thinkers. However, by the time renewal came around, I’d found out I could bypass Times Select and get most articles from the NYT anyway… via Google News. That there was a gaping hole in NYT Select’s design that allowed some in for free.

Even so, as time went on, I noticed I quoted less and less from the NYT. It took too much time to get to the meat. I was caring for my elderly father, watching over my family, working two jobs, having delicate health. Having to use passwords and screen names and verify who you were at NYT Select took time. There was still the great WSJ with its cadre of fissioning thinkers who dove very deeply into issues, there were all the UK papers with their extra dash of spicyness; the internet made all broadcast and cable news availible online, not to mention Yahoo and the venerable BBC, and intrepid on-the-scenes bloggers.

Times Direct failed. I dont know all the reasons why. But a huge reason among the writers in my world was because the costly news at NYT could be gotten elsewhere for free. NYT Select was finally scrapped, and a couple other structures tried. But time had passed. Many writers and bloggers had made their allegiances elsewhere. Some surely came back to read the NYT. I did. But I know too that many did not.

Just watching from the dirt hill outside the big media castles, it appears that the problem for MSM, whether publishers, newspapers, news feeds, etc, has been turning away from the mindset of being a gatekeeper in a purposely walled community that derives a certain sense of status and revenues from squatting over all aspects of the work products… to instead, learning to think like a river…thinking of how to be significant portals, tributaries, tidal pools, currents, flowly freely, rather than building dams.

It seems to me that any news media that wants to charge high fees to read or to quote from them, is putting a dam on a great river that now depends on far more than the dam-builders alone… To dam the river is, I think, to big media’s own detriment. In some cases it’s unplanned suicide. There are many many news sources we writers can choose to quote from, those who are glad to be linked to, and who follow certain of our work as we follow theirs. As Michelle Malkin put it yesterday, AP quotes from her work. Who owes who?

Unlike books, and novels that are written in personal, often one-of-a-kind styles, much news is still conveyed on the who/what/where/why/when and how model. Fair use, in part, is based on the originality of the work. Quoting known facts or re-quoting facts is not generally covered by copyright. There are other facets, that I mention in the above article on Fair Use clause of the Copyright Act.

As I mention in the post above too, it ought be enough to give respect to the AP and its writers to quote from them, say five paragraphs or less of a 20 paragraph+ article, to, as we most often do at TMV, credit the writer by name, block quote their words, and put the link back to the original article. In this way, as with other news sources we quote, we truly respect ‘fair use’ which generally means ‘quoting from,’ rather than taking the entire article or if originally fashioned, the heart of the article wholesale.

And also, as book authors do, giving grace to those who err, and gently reminding them, rather than coming at the little guys like the Drudge Retort with all corporate canons aimed and all flags burning.

My deepest sense is that because a legal battle on this would definitely take place in Federal Court, that The National Writers Union, The Writers Guild, The Authors Guild would likely all rise up to have their say in a way that might not agree at all with AP.

It would be better for AP and others, I think, just as I am stating here… to teach, educate, extend ‘good practices’ that are normally and daily used in most media, academia and mainstream publishing when quoting someone else’s work. This is not some obscure knowlege. Everyone who went to high school and/or college was taught it: Citation, original author, publisher, where stored, date. Quote “from,” but not reprise the entire work of another as your own work product.

If there are issues for AP to take a stand on, I think they’d be on solid ground
–when/if they experience what I and many other book published authors experience on occasion: Someone retypes our print-on-paper work, uploads it to a website without citation, and as its further passed around, our original work loses all it’s identifying personal markers, and finally is e-mailed back to us by others, saying ‘I found this great article you ought to read.’ Except. We already read it because we wrote it ourselves; we are the original author.

–there are also websites that use only our names; someone once told me such websites take authors’ names off Amazon… to draw people to their site for vitamins to make women grow mustaches and men to develop 10-packs and two noses. I imagine some of the AP writers who have also published books get the same treatment.

–There are also websites that somehow download everything I write at TMV, repost it in full, and are only a click-on ad site packed with ads. That too I could see AP objecting to, as it seems the entire point is to get readers to click on ads that say ridiculous things like ‘To see all AP Products for the Home,’ click here. “To see all clothing of the AP brand, click here.” If you click, it takes you to somewhere outer Mongolia where nothing of the actual AP exists at all. This ruse apparently brings money to someone, but we have no idea whom.

As far as I can see, the bloggers who quote and have good fair use practices are not at all the issue for AP.

I hope seeing the larger lay of the land will come to AP, otherwise, they may be, like other media that tried to build and control dams… marginalized. Made much much smaller and much less visible. No surging life.

There’s a reason we dont hear much about Napster any more. Dont take that fate road AP, we regard you way more than that.

____________
CODA

My cobloggr Shaun Mullen put it well too, the last sentence especially in his own more ‘throw the words down rough’ way… From Earth to Aspiring Pundits: There is No Free Lunch in the Blogosphere
” …myself try to stay out of trouble by doing one simple thing:

“Always give credit where it is due to both the primary source and the blog or website through which I might have found the primary source. This is especially pertinent when it comes to use of photographs and other images without permission, and I will hold off using an image if I cannot ascertain its owner and don’t believe it to be in the public domain.

“That few bloggers have such standards, let alone any standards, says less about the Wild West nature of the blogosphere than the ignorance of many of the cowboys and cowgirls.”

  • jbailey
    BMI (Broadcast Music, Inc) is not a publishing company, is not owned by Bertelsmann, and did not buy Napster. Perhaps you're thinking of BMG or EMI. BMI does represent the performing rights of 375,000 songwriters and music publishers, who own 6.5 million musical works, but BMI does not own the music. As a spokesman for BMI, I can assure you that BMI does not see the internet and the flow of information as a threat. There are few companies in the world as savvy and as eager to embrace technology as BMI. With your opening sentence so far from truth, it's impossible to consider seriously the rest of your post.
  • Amazon.com is going down the same road. A lot of micropresses, small presses, etc use print-on-demand because it is cheaper. Amazon is now saying you have to use our print-on-demand -- Booksurge-- or else there is no "buy" button on the book's page at Amazon. Read more here if you want http://www.writersweekly.com/amazon.php

    So a lot of small press poetry publishers are no longer going to have a presence on Amazon, etc.

    Peripherally, I just published a book of poetry on Lulu.com -- you can download it free.
  • archangel
    Dear jbaily, I am so sorry. It is corrected ; at 3:30 am in the morning writing the night before and posted the following at about 1:30 a.m., it was a typo. I regret it was my error. It is BMG, not BMI. I will also put an errata up as a post.

    dr.e
  • archangel
    Dear JBaily, also, as I am preparing a post to show this errata as I promised, I have researched some about your company BMI and if you would, I would love to talk to you as you are a spokesperson for BMI.

    If you would send an email to Joe Gandelman asap, our editor in chief, he would forward it to me. I noted that BMI constrained music flow to outlying radio stations in the 1940s, according to some sources. I would like to check this further with you before I write more about BMI. Thanks, and, the posted correction on the first page will be up soon.

    dr.e
  • archangel
    Dear JillyDybka, that is wonderful news. I've heard about LuLu.com. I hope you will write on your site about your experience if you havent already... and give us the link here.

    And yes, as an Authors Guild Board member, I am well aware of Bezos grab to be the sole publisher of POD by his press only, or else he wont list a person's ebook or POD book.

    The Authors Guild is pushing back hard, as are other strong groups. ALso, Bezos takes 65% of all sales of Kindle and POD, and if one reads the Amazon forums, we see lack of response on Amazon's part, over and over, to shoddy accounting practices for those who are owed money in this program.

    It may be that an "United Artists" group will develop their own means for online sales on a large site... as movie actors did long ago to be out from under the thumbs of monopolies in the movie industry.

    But, most of all JD, congratulations!

    dr.e
  • joegandelman
    JBAILEY: I have to add this. If you look at TMV you'll see Dr. E fixed the error. I appreciate that you are a spokesman and we DO fix errors on TMV. But since you said what you said in your last sentence in your comment I as the owner of TMv and a former fulltime journalist must say this:

    I have dealt with a lot of p.r. people and used them in my work extensively when I was a reporter and have graet resepect for them. I am a bit surprised you didn't just email us your personal feelings and left out that sentence. You gave Dr. E NO TIME to respond to you -- you just swiped at her whole post. If you contact a blogger or newspaper person in the future you might wish to forgo those kinds of remarks and simply point out errors and ask for a correction. If you are shocked at the errors, I'm shocked at that sentence since if you had contacted anyone of the assit editors on TMV any one of us would have moved immeidately to correct any errors. If you are p.r. person then you know full well that errors do appear in print and broadcast. Unlike a lot of outlets, we do try to fix them as we see them.

    I appreciate you setting the record straight and only ask that if you contact us again you be kind enough to show us the kind of respect that we try to show others -- and that Dr. E showed you and your company by doing a correction as soon as she learned what was wrong in her post. Your comment was appreciated and welcome; your last sentence in it was NOT.
  • jbailey
    Dear Dr. E
    Thanks for the correction. I have sent you a message separately regarding your request. Although I have been with BMI for only 10 years, I began writing about BMI in 1972 as a newspaper reporter. I have read much of BMI's history over the years and never heard of BMI constraining music flow to radio stations. It would make absolutely no sense to me. After all, BMI was founded in 1939 by a group of radio stations to correct what was considered the unfair practices of ASCAP. Constraining music flow would only limit the revenue BMI could collect for songwriters and stifle the growth of the organization. I can imagine no motive for BMI to do such a thing, but I wasn't around in 1940, so I don't yet have an answer to that charge. I suspect you're confusing the actiivites of ASCAP with BMI.
  • archangel
    I have an email to the writer of an article that states: "BMI also worked in the 1940’s to prevent relegation of certain music to remote stations." Thanks for your email. I'll hope to hear from this writer for clarification: I believe the sentence can read positively or negatively depending on what came before and after. You can always email me privately.
    dr.e
  • jbailey
    Dr. Dre --
    I'm going to e-mail you privately a couple of articles from the NY Daily News from about five years ago which deal with the origin and history of BMI and ASCAP. To my knowledge, the articles are correct. The articles explain that BMI opened the doors to music that previously could not be played on radio. Before BMI, country music, Black music, Hispanic music and other grassroot forms of music were largely shut out of radio because the composers could not belong to the other performing right organization, and, therefore, the stations could not legally obtain permission to play the music. Dick Clark said it best: "Prior to BMI's founding, the music business was not readily accessible to newcomers. BMI opened the doors for the young, the black, the country, the non-traditional songwriter. It widened the opportunity for more creative people to participate in the art of music."

    If you will send me your mailing address privately, I will also mail you a booklet titled "The Rise of BMI - 1940 -- 2008." I think you'll find it interesting.
  • jbailey
    Pardon me, Dr. E --

    For addressing you as Dr. Dre. I have rap music on my brain this morning.

    Jerry
  • archangel
    i'ts ok, and thanks JB

    dr.e
  • My husband gets his royalty checks from BMI. :) They're smaller since the Internet.
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